There are a few moments of stock footage, either of the Disney Animation building or of standard settings like hospital rooms, but they’re not too frequent. All that we see onscreen is home movies from animator Randy Cartwright, marketing materials, interviews, sketches, clips, and recording sessions. While there are clearly new interviews with people like Katzenberg, Michael Eisner, and many others, we only hear their voices. An interesting choice that Hahn makes is to not have any new footage in his documentary. This is not to say that Waking Sleeping Beauty isn’t full of exciting filmmaking or fresh takes on older insights. What effect, what impact did Bluth have on the company while he was there and after he left? Finally, what of Toy Story and the Pixar onslaught that presented itself as the end of the so-called Disney renaissance? Hahn chooses, for some reason, to mostly restrict himself to the time from 1984 to 1994, but the context goes much deeper. His offhanded mention of Don Bluth going on an exodus from Disney, bringing other animators along to his new company, is also frustrating. While Hahn does mention The Black Cauldron, mostly in terms of the mood of the department when Jeffrey Katzenberg came to shake things up, he doesn’t really acknowledge how much of a failure the film was perceived to be on creative and commercial levels. However, it becomes even more bittersweet and powerful when you put it in context. The other problem is that watching Disney Animation triumph once again, pushing past failures like The Fox and the Hound and The Black Cauldron, is pretty gratifying. But why is that the case, exactly? Even if it was as simple as some people thinking a tragic romance works better than a coming-of-age story, there could’ve been more description and discussion about the point outside of the one anecdote we get. As head-shakingly confusing as it may be, you may know that there was once a time when Disney favored Pocahontas over The Lion King. But let’s be honest: if you see this movie, you know a lot of the major points Hahn covers. If you aren’t that familiar with Disney animation or its history outside of knowing the classics and seeing them, you may be hearing about this movie for the first time. If you’re familiar with Disney animation and its history, then you probably have heard of this movie and may have even seen it. The movie is, in some ways, a bit of a curio. Such is the case with Waking Sleeping Beauty. The worst thing, sometimes, that a movie can be is not long enough. Because I know these names, and because I’m hosting a Disney movie podcast, watching Waking Sleeping Beauty, Hahn’s 2009 documentary focusing on the tumultuous time from 1984 to 1994, from Disney Animation’s nadir to its most triumphant moment, isn’t a breathtaking revelation. Hell, I still remember the epitaph memorializing Frank Wells’ death back in 1994 in front of The Lion King. But if you read the credits to movies, as I’ve always done, you know him as one of the producers of The Lion King and the producer of Beauty and the Beast. Does Don Hahn’s name ring a bell? Probably not. How many people know who Glen Keane is? Probably not many, outside of his family, friends, co-workers, and those of us who are admirers of Disney animation from the 1980s onward. And yet, while I was like a lot of other people my age and saw plenty of family films when I was a kid, I know that I remembered names of people I didn’t need to remember. While my memory works well for other useless trivia, you can detect a pattern revolving around movies. I remember the first R-rated movie I saw in theaters, Air Force One. I remember the day I found out I couldn’t go to see Jurassic Park in theaters–I was too young and just discovered that the movie would not be rated PG. I remember seeing Who Framed Roger Rabbit in theaters in 1988. I have a really great memory when it comes to completely unimportant information.
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